Sun Charkhe Di Mithi Mithi Hook" Sung by Ustad Nusrat Fateh Ali Khan Sahib

Kapil Jain's Understanding & Translation of "Sun Charkhe Di Mithi Mithi Hook"
Sung by Ustad Nusrat Fateh Ali Khan Sahib, Poet : Unknown, seems to be a folklore ( further update Welcome )

सुन चरख़े दी मिठ्ठी मिठ्ठी कूक
माहिया मैनू याद आवंदा
मेरे दिल विचहो उठती ऐ हूँक
माहिया मैनू याद आवंदा

मेरी ईद वाला चन कदों चढ़ेगा
अल्लाह जाने माही कदों वेडे वड़ेगा
दुख ढाडे ने ते , ज़िन्दहि मलूक

माही आवेगा ते , खुशियाँ मनवांगी ,
उदेहे राहाँ विच अखियाँ विछावंगी ,
जाँन छडीये है विछोरोएँ ने फूंक ,

ताने मारदे ने अपने शरिक वे
लिख चिट्ठी विच औन दी तरिक वे
काली रात वाली डंगे मैनु शूक

कता पूरियाँ ते हंजु मेरे वघदे
हुन हासे वि नही मैनू चंगे लगदे
किवेएँ भुल जवां उदे मैं सलूक

सुन चरख़े दी मिठ्ठी मिठ्ठी कूक
माहिया मैनू याद आवंदा

__________________

सुन चरख़े दी मिठ्ठी मिठ्ठी कूक
माहिया मैनू याद आवंदा
मेरे दिल विचहो उठती ऐ हूँक
माहिया मैनू याद आवंदा

Sweet melodious sound of spinning wheel reminds me of my beloved , who is away from home , it erupts  inconsolable feeling of remembrance of my beloved

__________________

मेरी ईद वाला चन कदों चढ़ेगा
अल्लाह जाने माही कदों वेडे वड़ेगा
दुख ढाडे ने ते , ज़िन्दहि मलूक

When the moon ( beloved )  sighting signling the beginning of celebrations will appear ? God knows , when beloved enters back in home ? Enormous suffrings , life like a hell without beloved

__________________

माही आवेगा ते , खुशियाँ मनवांगी ,
उदेहे राहाँ विच अखियाँ विछावंगी ,
जाँन छडीये है विछोरोएँ ने फूंक

Will celebrate when beloved return ,
Will lay down my eyes to decorate the return passage  ,  soul almost burned in the intense heat of separation.

__________________

ताने मारदे ने अपने शरिक वे
लिख चिट्ठी विच औन दी तरिक वे
काली रात वाली डंगे मैनु शूक

Consistent teasing by relatives , please write back the date of your return , each black night ( night without beloved ) bites me with venom.

__________________

कता पूरियाँ ते हंजु मेरे वघदे
हुन हासे वि नही मैनू चंगे लगदे
किवेएँ भुल जवां उदे मैं सलूक

While spinning the wheel , my tears were unstoppable , these days laughter hurts enormously  , how could I forget beloved's behaviour.

__________________

सुन चरख़े दी मिठ्ठी मिठ्ठी कूक
माहिया मैनू याद आवंदा
मेरे दिल विचहो उठती ऐ हूँक
माहिया मैनू याद आवंदा

Sweet melodious sound of spinning wheel reminds me of my beloved , who is away from home , it erupts  inconsolable feeling of remembrance of my beloved

__________________
(c) (r) (p) all rights reserved

Kapil Jain
Kapilrishabh@gmail.com
Jun, 22,  2017
Noida, Uttar Pradesh, India

Dayam Pada Hua

Kapil Jain's Understanding of
Mirza Ghalib's Ghazal
"Dayam Pada Hua,  Tere Dar Par Nahi Hu May"

"दाइम  पड़ा  हुआ,  तेरे  दर  पर  नहीं  हूँ  मैं"
--------------------------------------------

दाइम  पड़ा  हुआ,  तेरे  दर  पर  नहीं  हूँ  मैं ,
ख़ाक ऐसी  ज़िंदगी  पे , के पत्थर नहीं  हूँ  मैं

क्यूँ  'गर्दिश-ए-मुदाम' से घबरा न जाए दिल ,
इंसान हूँ , ’प्याला-ओ-सागर' नहीं  हूँ  मैं

या-रब ! ज़माना मुझ को , मिटाता है किस लिए ?
’लौह-ए- जहाँ'  पे , ’हर्फ़-ए-मुक़र्रर’  नहीं  हूँ  मैं

हद  चाहिए  सज़ा  में ,  उक़ूबत  के  वास्ते !
आखिर  गुनाहगार  हूँ , काफिर नहीं  हूँ  मैं

किस वास्ते  अज़ीज़ नहीं जानते  मुझे ?
’लाल-ओ-ज़ुमुर्रुद-ओ-जर-ओ-गौहर’ नही  हूँ  मैं

रखते  हो तुम  क़दम , मेरी  आँखों  से  क्यूँ  दरेग़ ?
रूतबे  में 'महर-ओ-माह' से कम-तर नहीं  हूँ  मैं

करते हो मुझ को 'मना -ए- क़दम - बोस' किस लिए ?
क्या आसमान  के  भी  बराबर  नहीं  हूँ   मैं

'ग़ालिब'  ’वज़ीफ़ा-ख़्वार’  हो , दो शाह को  दुआ
वो  दिन  गए , कि  कहते  थे , नौकर नहीं  हूँ  मैं

--------------------------------------------

दाइम  पड़ा  हुआ,  तेरे  दर  पर  नहीं  हूँ  मैं ,
ख़ाक ऐसी  ज़िंदगी  पे , के पत्थर नहीं  हूँ  मैं

दाइम : eternal : existing forever
दर : Door, Entrance
ख़ाक : Ashes, Dust , worthless
पत्थर : Stone

Real Meaning :
I am a human with heart & mind ,
Not a heartless ( stone ) Lying at your door ( on your mercy ) , if this life is such than like ashes ( worthless )

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क्यूँ  'गर्दिश-ए-मुदाम' से घबरा न जाए दिल ,
इंसान हूँ , ’प्याला-ओ-सागर' नहीं  हूँ  मैं

क्यूँ  : why
गर्दिश : rotational movement
मुदाम : permanently
गर्दिश-ए-मुदाम : continues bad luck
प्याला : Cup
सागर : Goblet , Wine Cup
प्याला-ओ-सागर : Heartless Ideal items

Being a human , bound to fear ( worried ) with continues bad luck , not like ideal cup & kettle.

--------------------------------------------

या-रब ! ज़माना मुझ को , मिटाता है किस लिए ?
’लौह-ए- जहाँ'  पे , ’हर्फ़-ए-मुक़र्रर’  नहीं  हूँ  मैं

या-रब : Oh - God
ज़माना : era
मिटाता : wipe , erase
लौह : iron
जहाँ  :  world , earth , universe
लौह-ए- जहाँ  : world , universe ( here meaning word etched on iron plate )
हर्फ़ : Alphabet
मुक़र्रर : repeated
हर्फ़-ए-मुक़र्रर : repeated word

Oh God , why society want to erase me ,
I am a fragile soul, henceforth die down itself , not a parmanent word etched on a iron plate to be fixed for centuries. ( Like History Books )

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हद  चाहिए  सज़ा  में ,  उक़ूबत  के  वास्ते !
आखिर  गुनाहगार  हूँ , काफिर नहीं  हूँ  मैं

हद  : boundary , limit
सज़ा : punishment
उक़ूबत : persecution
गुनाहगार : guilty
काफिर : Infidel ( here meaning : ultimate crime )

Here Ghalib has Cautioned the Civilizations about the misuse of powers by ruling elite in their waisted intrest.

I understand , to maintain civility in society , proper due persecution required for guilty within limits of prescribed Laws , henceforth here I am merely guilty ( not murderer like criminal who deserve ultimate punishment of hanging ).

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किस वास्ते  अज़ीज़ नहीं जानते  मुझे ?
’लाल-ओ-ज़ुमुर्रुद-ओ-जर-ओ-गौहर’ नही  हूँ  मैं

किस : why , which , whom
वास्ते : for the sake of
अज़ीज़ : dear
लाल : ruby
ज़ुमुर्रुद : emerald
जर : gold , money , wealth
गौहर : pearl
लाल-ओ-ज़ुमुर्रुद-ओ-जर-ओ-गौहर : variety of precious stone

This a satire on the society by Ghalib, means society care only for those , which are materialistically valuable.

I am a ordinary man ,
That's why my favorite people admire me,
I am not precious or valuable or a wealthy person like ruby , emerald , gold or pearl.

--------------------------------------------

रखते  हो तुम  क़दम , मेरी  आँखों  से  क्यूँ  दरेग़ ?
रूतबे  में 'महर-ओ-माह' से कम-तर नहीं  हूँ  मैं

क़दम : footstep
दरेग़ : hesitations
रूतबे : status , rank , dignity
महर : scholarship , 2nd : Sun
माह : monthly , 2nd : moon
महर-ओ-माह :
1. scholarship of a month
2. Sun and Moon

Literally two Meaning can be extracted out of this couplet :

First :
Why you try to avoid me as I am inferior to you , in status I am as bright and beautiful as sun and moon.

Second :
Why you try to avoid me as I am inferior to you , in Rank , my scholarship per month is not less than you.

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करते हो मुझ को 'मना-ए-क़दम-बोस' किस लिए ?
क्या आसमान  के  भी  बराबर  नहीं  हूँ   मैं

मना : forbidden , banned
क़दम : feet
बोस : kiss
मना-ए-क़दम-बोस : forbidden to kiss feet

Ghalib has derived this couplet from a Hindi Proverb which said
आसमान कदम चूमेगा ( कामयाबी की हद )

Please don't under estimate me ,
I will succeed that skies will be on my feet.

--------------------------------------------

'ग़ालिब'  ’वज़ीफ़ा-ख़्वार’  हो , दो शाह को  दुआ
वो  दिन  गए , कि  कहते  थे , नौकर नहीं  हूँ  मैं

ग़ालिब : Poet 'Mirza Ghalib' referring himself
वज़ीफ़ा : scholarship
ख़्वार : recipient
वज़ीफ़ा-ख़्वार : scholarship recipient
शाह : monarch, king , ruler
दुआ : blessings , prayers , wish

नौकर : servant

Oh Ghalib , Now as you are a scholarship recipient , Say thanks to the King for his kind blessings ,
Old bad days are over when people used to tease me as Servant , Now I'm not.

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©®
Kapil Jain
Kapilrishabh@gmail.com
Noida,  November 24, 2016

'Aaj Phir Dil ne kaha Aao bhula de yaadein’

Kapil’s Understanding of
Ahmed Faraz Poem
'Aaj Phir Dil ne kaha Aao bhula de yaadein’

आज फिर दिल ने कहा , आओ भुला दें यादें,
ज़िंदगी बीत गई और वही यादें यादें

जिस तरह आज ही बिछड़े हों बिछड़ने वाले,
जैसे एक उम्र के दुःख याद दिला दें यादें

काश मुमकिन हो की एक कागज़ी कश्ती की तरह,
ख़ुद-फ़रामोशी के दरिया मे बहा दें यादें

वोह भी रुत आऐ के अज़ूद-फ़रामोश मेरे 
फ़ूल पत्ते तेरी यादों में बिछा दें यादें

जैसे चाहत भी कोई ज़ुर्म हो और ज़ुर्म भी वोह,
जिसकी पादाश मे ता-उम्र सजा दें यादें

भूल जाना भी तो एक नेमत है फ़राज़,
वर्ना इंसान को पागल ना बना दें यादें

आज फिर दिल ने कहा , आओ भुला दें यादें,
ज़िंदगी बीत गई और वही यादें यादें
                              ......अहमद फ़राज़

----------------------------------------

आज फिर दिल ने कहा , आओ भुला दें यादें,
ज़िंदगी बीत गई और वही यादें यादें

Today my heart said , let's forget  memories, life has passed & same memories all the way.

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जिस तरह आज ही बिछड़े हों बिछड़ने वाले,
जैसे एक उम्र के दुःख याद दिला दें यादें

As if today was the day of separation, though it was long ago, still giving a life span of painful memories.

---------------------------------------------

काश मुमकिन हो की एक कागज़ी कश्ती की तरह,
ख़ुद-फ़रामोशी के दरिया मे बहा दें यादें

काश : if
मुमकिन : possible
कागज़ी : paper
कश्ती : boat
फ़रामोशी : forgetful
ख़ुद-फ़रामोशी : self forgetful
दरिया : river

If possible like a paper boat , fold all memories & disperse in a River of self-forgetfulness.

(In other words , even to forget the people's obligation towards us.)
To the context : अहसान फ़रामोशी

---------------------------------------------

वोह भी रुत आऐ के अज़ूद-फ़रामोश मेरे 
फ़ूल पत्ते तेरी यादों में बिछा दें यादें

रुत : ऋत : season
अज़ूद-फ़रामोश :  जल्दी भूलने वाला : easy forgetfull

May that season come ,when people obliged by you , lay down flowers & petals in your rememberance.

---------------------------------------------

जैसे चाहत भी कोई ज़ुर्म हो और ज़ुर्म भी वोह,
जिसकी पादाश मे ता-उम्र सजा दें यादें

चाहत : love , affection
ज़ुर्म : crime
पादाश : ज़ुर्म की सज़ा : punishment
ता-उम्र : lifelong
यादें : memories

That love is a crime & that too of such a nature in which punishment is lifelong sufferings of inconsolable memories.

---------------------------------------------
भूल जाना भी तो एक नेमत है 'फ़राज़',
वर्ना इंसान को पागल ना बना दें यादें

नेमत : blessing
फ़राज़ : poet name Ahmed Faraz

To forget is a natural blessing ,
Else memories would make human a  lunatic.

---------------------------------------------
आज फिर दिल ने कहा , आओ भुला दें यादें,
ज़िंदगी बीत गई और वही यादें यादें
                             
                                   ......अहमद फ़राज़
                               ....Ahmed Faraz

Today my heart said , let's forget  memories, life has passed & same memories all the way.

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"Silsile Tode Gaya Vo Sabhi Jaate Jaate"

Kapil Jain's Understanding & Translation of Ahmed Faraz Ghazal,
"Silsile Tode Gaya Vo Sabhi Jaate Jaate"

सिलसिले तोड़ गया वो सभी जाते जाते,
वर्ना इतने तो मरासिम थे के आते जाते..

शिक़वा-ऐ-ज़ुल्मत-ऐ-शब् से तो कही बेहतर था,
अपने हिस्से की तो कोई शमाँ जलाते जाते..

कितना आसां था तेरे हिज़्र में मरना जानाँ,
फिर भी एक ऊम्र लगी जाँ से जाते जाते..

जश्न-ऐ-मक़तल ही ना बरपा हुआ वर्ना हम भी,
पा-ब-जौलाँ ही सही नाचते गाते जाते..

उसकी वो जाने उसे पास-ऐ-वफ़ा था के न था,
तुम “फ़राज़“ अपनी तरफ से तो निभाते जाते..

सिलसिले तोड़ गया वो सभी जाते जाते,
वर्ना इतने तो मरासिम थे के आते जाते..

______________________________

सिलसिले तोड़ गया वो सभी जाते जाते,
वर्ना इतने तो मरासिम थे के आते जाते..

मरासिम :  Relations, Customs, Rules

Beloved has broken all connection before going, despite our relationship was strong enough to have mutual respect & connection even after disconnection but in vain.
______________________________

शिक़वा-ऐ-ज़ुल्मत-ऐ-शब् से तो कही बेहतर था,
अपने हिस्से की तो कोई शमाँ जलाते जाते..

शिक़वा : Complaint
ज़ुल्मत :  Darkness
शब्  :     Night
शिक़वा-ऐ-ज़ुल्मत-ऐ-शब : Complaint of darkness of night,
शमाँ :     Candle

In each relationship, each one has to do their part of duties fulfillment, if one party only do the complaint (here as a metaphor "Complaint of darkness of night"), instead one can make an effort ( here metaphor  "to make some light by lit a candle") to make relationship healthy.
______________________________

कितना आसां था तेरे हिज़्र में मरना जानाँ,
फिर भी एक ऊम्र लगी जाँ से जाते जाते..

आसां : Easy
हिज़्र  : Separation
मरना : To Die
जानाँ : Beloved
ऊम्र : Age
जाँ : Life ( here refer Beloved = Life)

Oh my dear beloved, it was so easy to die in your separation, but it took an age to detach from your memories.

______________________________

जश्न-ऐ-मक़तल ही ना बरपा हुआ वर्ना हम भी,
पा-ब-जौलाँ ही सही नाचते गाते जाते..

जश्न : Celebration
मक़तल : Place of Murder, Execution, Killing
जश्न-ऐ-मक़तल : Celebration of killing at Site
बरपा : Start
पा : feet
जौलाँ : chained
पा-ब-जौलाँ : Chained Feet

Very Difficult to Explain :
Please reply if better understand.

It's a satire or explanation of separation,
i.e.
On pending Drama was to celebration the Murder at the Murder Site, which didn't happened, else if would have dance in the ecstasy (Metaphor Chained feet) of separation.
______________________________

उसकी वो जाने उसे पास-ऐ-वफ़ा था के न था,
तुम “फ़राज़“ अपनी तरफ से तो निभाते जाते..

पास : Consideration, Respect, Regard
वफ़ा : faithful, Fidelity, ( here love )
पास-ऐ-वफ़ा : Respect for mutual faith
“फ़राज़" : Poet Name Ahmed Faraz

______________________________

सिलसिले तोड़ गया वो सभी जाते जाते,
वर्ना इतने तो मरासिम थे के आते जाते..
______________________________

https://rekhta.org/ghazals/silsile-tod-gayaa-vo-sabhii-jaate-jaate-ahmad-faraz-ghazals

”Ku Ba Ku Phail Gayi Baat Shanasai ki"

Kapil Jain's :
Translation & Understanding of Parveen Shakir's
”Ku Ba Ku Phail Gayi Baat Shanasai ki"

कू-ब-कू फैल गई बात शनासाई की
उस ने ख़ुश्बू की तरह मेरी पज़ीराई की

कैसे कह दूँ के मुझे छोड़ दिया है उसने
बात तो सच है मगर बात है रुस्वाई की

तेरा पहलू तेरे दिल की तरह आबाद रहे
तुझ पे गुज़रे ना क़यामत शबे-तन्हाई की

वो कहीं भी गया लौटा तो मेरे पास आया
बस यही बात है अच्छी मेरे हरजाई की

उसने जलती हुई पेशानी पे जब हाथ रखा
रूह तक आ गई तासीर मसीहाई की

अब भी बरसातों की रातों में बदन टूटता है
जाग उठती है अजब ख्वाईशें अँगड़ाई की
     
                            .......परवीन शाक़िर

--------------------------------------

कू-ब-कू फैल गई बात शनासाई की
उस ने ख़ुश्बू की तरह मेरी पज़ीराई की

कू-ब-कू : सारी दिशाओं में
शनासाई : परिचय होना
पज़ीराई : स्वीकृति

भावार्थः
जैसे एक परिचय की बात , गली मौहल्ले में फैल जाना,
जिससे बहुत बदनामी का अंदेशा हो ,
इसके विपरीत , इस बात का ऐसे स्वागत हो ,
जैसे एक ख़ुश्बू ख़ुशी देती है

--------------------------------------

कैसे कह दूँ के, मुझे छोड़ दिया है उसने
बात तो सच है , मगर बात है रुस्वाई की

रुस्वाई : बदनामी अपमान अनादर

भावार्थः
सच तो है की उसने छोड़ दिया उसको ,
पर बदनामी के डर से यह बात बताने की नहीं है

--------------------------------------

तेरा पहलू तेरे दिल की तरह आबाद रहे
तुझ पे गुज़रे ना क़यामत शबे-तन्हाई की

तेरा पहलू : तेरा सोचना , तेरा हाल , your version
आबाद : बसा हुआ , inhabited
क़यामत : day of final judgment by god
शबे-तन्हाई : night of loneliness

भावार्थः
यह मेरी दुआ है की
तेरी सोच तेरा हाल , तेरे दिल की तरह ही आबाद रहे ,
और उसको कभी भी अकेलेपन से बोझिल रात ,
जहाँ एक एक पल मौत के आख़री लम्हें की तरह तकलीफ़ देय हो , कभी न गुज़ारनी पड़े ,
जैसी मैने गुजारी है

या

हम पे जो भी गुजरे
तुम हर तरह से ठीक रहो

--------------------------------------

वो कहीं भी गया लौटा तो मेरे पास आया
बस यही बात है अच्छी मेरे हरजाई की

हरजाई : आवारा , Vagabond

भावार्थः
वो बेवफ़ा , मुझे छोड़ कर , दुनिया मे कहीं गया
पर जब आया तो मेरे ही पास आया ,
बस यही बात मुझे अच्छी लगती है

या

आपकी मोहब्बत इतनी ज्यादा अंधी है की वो कुछ भी करे , आप फिर भी उसमे सिर्फ अच्छाई ही तलाशते रहते है।

--------------------------------------

उसने जलती हुई पेशानी पे जब हाथ रखा
रूह तक आ गई तासीर मसीहाई की

जलती : feverish or burning
पेशानी : माथा : forehead
रूह : soul : आत्मा
तासीर : प्रभाव : influence
मसीहाई : मसीहा : healer : great touch

भावार्थः
"उसने" जिसका दिल को इंतज़ार था , जब मेरे जलते हुए माथे पर अपना हाथ रखा ( उदाहरणतः बुख़ार से तपते हुए माथे पर ) ,
आत्मा ने उस स्पर्श मे मसीहा वाली आत्मीयता का अहसास किया ।

--------------------------------------

अब भी बरसातों की रातों में बदन टूटता है
जाग उठती है अजब ख्वाईशें अँगड़ाई की
    
भावार्थः help yourself

--------------------------------------

Original Source :
कू-ब-कू फैल गई बात शनासाई की
https://rekhta.org/ghazals/kuu-ba-kuu-phail-gaii-baat-shanaasaaii-kii-parveen-shakir-ghazals?lang=Hi

--------------------------------------

https://youtu.be/HEDe52fExq8

Bahut Pehle Se, Un Qadmon Ki Aahat Jaan Letey Hai, Tujhe Ae Zindagi, Hum Duur Se Pehchaan Letey Hain

1. 
Bahut Pehle Se,
Un Qadmon Ki Aahat
Jaan Letey Hai,

Tujhe Ae Zindagi,
Hum Duur  Se
Pehchaan Letey Hain.......

2.
Tabiyat Apni
Ghabraati Hai
Jab Sunsaan Raaton Mein,

Hum Aise Mein
Teri Yaadon Ki
Chaadar Taan Lete Hain.....

            ........ Firaq Gorakhpuri

========================

Such a simple words roped for enormous depth

I am totally confused,
how to translate
the difference between
Hindi words, 

Jaan :  know?
Pehchaan :  know?

actually both are miles away,

Also the spine of first couplet

Please suggest me
English translation
(one word please) .

===================

The literally meaning : 

1.
bahut : long
Pahle se : before
Un : your's
Qadmon : walking step
aahat : noise
Jaan : to know?
Letey Hain : we be able to do.

Tujhe :  You
Ae Zindagi :  the life
Hum :  We
Duur :  long distance
Se :  from
Pehchaan : know accurately Letey Hain : we be able to do. 

Long before your arrival,
we guess your
walking step noise,

You being my life,
We know you
from a long distance 

2.
Tabiyat : state of mind
Apni : mine
Ghabraati : perturbed  disturbed
Hai : happen
Jab : when
Sunsaan : lonely
Raaton : nights
Mein : with in

Hum : We
Aise Mein : in this situation
Teri : your
Yaadon ki  : memories as
Chaadar :  sheet of cloth
Taan Lete Hain : straight up 

When I feel perturbed
in the long lonely nights,

In this situation,
I take the refuge of
your old memories.

====================

B : The feeling or correct meaning

1.
My love,
You are my life,
Without you,
I am  like a lifeless creature,

Merely by thinking about you,
I become a fully awaked
and a happy person

That is why,  I always gauge  your presence (not physical) from a very long distance. 

2:
When i do not feel good
in long lonely nights
without you,  my love

I take the refuge in your lovely memories........

=================

I salute you,  Firaq Sahib 

Gulon Mey Rang Bhare,

Gulon Mey Rang Bhare,
Badalo Bahar Chale,

Chale  Bhhi Aao

Key Gulshan Ka Karobar Chale

                 .......  Faiz Ahmed Faiz

Gulon : Gul : Flowers
Rang. : colour
Badal : cloud
Bahar : bloom
Chale bhi aao. :  please Come (  request)
Gulshan : Nature
Karobar : business

Flowers are blooming
with full colour,

Clouds are full of  rain water
To facilitate blooming,

Please come my love
Just to facilitate the business of blooming in  Nature. 

Real Meaning :

the correct essence of these
beautiful couplets is that
What ever beauty  in the divine nature
is only due to your presence,

To keep the continuation of this blooming,
Your Presence is a must

. 

Koi mere dil se puche

Koi mere dil se puche
Tere teere neem kash ko
Yeh khalish kaha se hoti
Jo jigar ke paar hota
                      .......  Ghalib


May any body ask my heart regarding
Your  intended arrow with poison dipped tip
This desperation would not be existing
If arrow would have crossed my heart, killing me in result.
(the arrow is a metaphor for your unconditional love for me,  it is in my heart creating a hell of desperation)

Koi dost hai na raqeeb hai : Kapil's translation : Singer : Jagjit Singh , Poet : Rana Sahri

Koi dost hai na raqeeb hai :  
Kapil's translation :
True to the spirit of the Poem.

Singer : Jagjit Singh , 
Poet : Rana Sahri
================

https://www.youtube.com/watch?v=5RRymBj9_1Y&feature=youtube_gdata_player

================
Koi dost hai
na raqeeb hai,
tera sehar kitna ajeeb hai....

Woh jo ishq tha
woh junoon tha,
yeh jo hijre hai
yeh naseeb hai.........

Yahan kiska chehra
padha karoon,
yahan kaun itna kareeb hai....


Main kise kahoon
mere saath chal,
yahan sab ke
sar pe saleeb hai....


Tujhe dekh kar
main hun sochta,
Tu habib hai
ya raqeeb hai........

======================

First Couplet Translation :

Koi dost hai
na raqeeb hai,
tera sehar kitna ajeeb hai....

Koi : Any
dost : friends
hai : Available
na : nor
raqeeb : competitor, rival
hai : Available
tera : your
sehar : city
kitna : so much
ajeeb : outlandish

Real Meaning :

The poet feels like a stranger 
in the city of beloved,  
after a betrayal by beloved that,
Neither any friends,
nor any competitor,
What a outlandish city is this?

===================

Second Couplet :

Woh jo ishq tha
woh junoon tha,
yeh jo hijre hai
yeh naseeb hai.........

Woh : that
jo : what, which
ishq : love
tha : was
woh : that
junoon : obsession
tha : was
yeh : this
jo : what, which
hijre : separation
hai : exist
yeh : this
naseeb : destiny
hai : exist

Real Meaning :

In the Past, 
What ever we felt like love,
It was no love but obsession,
but at present,
This separation  is the destiny.

====================
Third Couplet :

Yahan kiska chehra
padha karoon,
yahan kaun itna kareeb hai....


Yahan : here
kiska : who's
chehra : face
padha : reading
karoon : doing
yahan : here
kaun : who
itna : as much as
kareeb : near by
hai : exist

Real Meaning :

The poet is so lonely, 
Expressing in a way that,
Who's face can be read,
here no body is near by.

=====================
Fourth Couplet :

Main kise kahoon
mere saath chal,
yahan sab ke
sar pe saleeb hai....

Main : me
kise : to whom
kahoon : to tell
mere : with me
saath : along
chal : walk
yahan : here
sab : every body
ke : with
sar : head
pe : on
saleeb : (Jesus Christ Cross)
hai : exist

Real Meaning :
To whom,  
I should ask to have a walk with me,
as everybody has a lot of other responsibilities,
( Saleeb : the cross as a metaphor of responsibilities ),
in other words,  
Everyone is so busy with their own schedule 
that hardly any time for someone else.

======================

Fifth Couplet :

Tujhe dekh kar
main hun sochta,
Tu habib hai
ya raqeeb hai........


Tujhe : to you
dekh : see
kar : do
main : myself
sochta : think
Tu : you
habib : friend
hai : exist
ya : or
raqeeb : competitor
hai : exist

Real Meaning :

After seeing you,
I am thinking that 
Whether you're a friend or a competitor ?

The Poet has lost 
faith or confidence from everyone,
He is not able to distinguish 
between friend and foe or competitor. 

======================

Kisi Manzar ko koi

Kisi Manzar ko koi
Aankh bhar kar maang leta hai
Magar ye bhi hai
Kuchh Aankhon ko Manzar maang leta hai
.... Waseem Barelvi
=======================
Manzar : Aspect, Countenance, Landscape, Outlook, Sight, Scene, View, Visage
======================
Some Scene are so beautiful that We want to remember them for life ( to hold them in eyes for life ).
Some Eyes are so beautiful that Scene want to hold them to complete themselves.
===============

Chirag e Raah ki kismat pe raham aata hai

चिराग़ ऐ राह की क़िस्मत पे रहम आता है

हवा के ज़ोर से लड़ना भी , और जलना भी

                            .....प्रॉ वसीम बरेलवी 

Chirag e Raah ki kismat pe
raham aata hai

Hawa ke Zor se ladna bhi
Aur Jalna bhi
               ..... Wasim Baralavi

Chirag e Raah : Lamp Post

kismat : destiny

raham : pity

Hawa : Wind

Zor : pressure

Ladna : fight

Aur : and

Jalna : burning

Pity on the destiny of road side
lamp post,
Always to tackle and fight
the wind pressure as well as
to burn itself.....

Motto : one need to perform the duty along with tackling other difficulties

Kabhi to khul ke baras

Kapil's  translation : Kabhi to khul ke baras
A Very good  Ghazal Sung by
Chitra Singh Ji
Great Great Lyrics by
Shri Prem Warbartoni Ji.
Kapil's translation is true to the spirit of this ghazal,  slightly Sensuous ( Adult ) content. 
All relevant links below..
===================
Kabhi to khul ke baras
"Abre-e-meharban" ki tarah
Meraa Wazuud hai
Jalte hue makaan ki tarah......
Kabhii to soch
Ke Woh shaks,
kis kadar tha buland
Jo Bichh gaya tere kadmo mey
Aasmaa ki tarah........
Main ik  Khwaab sahi
Aap ki amanat hu
Mujhe Sambhal ke rakhiyega
Jism-o-jaan ki tarah........
Bulaa rahaa hai mujhe
Phir kisi badan ka basant
Guzar na jaaye ye rut bhi
kahin Khizaa ki tarah.....
===================
First couplet :
Kabhi to khul ke baras
"Abre-e-meharban" ki tarah
Meraa Wazuud hai
Jalte hue makaan ki tarah......
Real Meaning :
My state is like a burning house,
I am Hot, 
( Meraa Wazuud hai
Jalte hue makaan ki tarah )
please full fill my desire
like a passionate lover
( Abr-e-Meharbaan ),
I am desperate,
please please come to quench my thirst, 
rain profusely (Kabhi to khul ke baras),
Make love,
Do love, 
Think love...
Abr : Cloud
Meherbaan : Kind
Wajood: Existence, Entity
Makaan :  House
==============
Second Couplet :
Kabhii to soch
Ke Woh shaks,
kis kadar tha buland
Jo Bichh gaya tere kadmo mey
Aasmaa ki tarah........
Real Meaning :
Think any time, 
how magnificent that person is,
who has surrendered in your feet, 
like a blue sky. 
Just to satisfy you with love,
  To quench your burning desire,  thirst .
Shaks: A Person
Kadar : Merit, Quantity
Buland : Magnificent,  Grand
Bichh Gaya : To be spread,
To humble oneself
Kadmo :  Feet
================
Third Couplet :
Main ik  Khwaab sahi
Aap ki amanat hu
Mujhe Sambhal ke rakhiyega
Jism-o-jaan ki tarah........
Real Meaning :
May be I only a dream,
But I am only your's (Amanat),
Take care of me like body and soul
My body and my soul,  is just for you,
my magnificent lover. Waiting to surrender,
only to You
only to You
only to You
Khwaab :  Dream
Amaanat : Something Given In Trust
Jism-o-Jaan: Body and soul
===================
Fourth Couplet :
Bulaa rahaa hai mujhe
Phir kisi badan ka basant
Guzar na jaaye ye rut bhi
kahin Khizaa ki tarah.....
Real Meaning :
Calling me again by
the magnificent body of my  lover
( badan ka basant)
( like a fully blossom flower in spring) 
(  body after attaing full adulthood ) 
Do not spoil the season like a Fall ( Autumn)
When no love making scene,
When no body enjoys any beauty, 
When lover do not perform Love...
Basant : Spring
Khizaan : when all leaf fall from trees become barren.
=====================
https://www.youtube.com/watch?v=elboa44qzT8&feature=youtube_gdata_player
================

Koi din gar Zindagani aur hai

Kapil Jain's Translation of Mirza Ghalib's :Koi din gar Zindagani aur hai

https://www.youtube.com/watch?v=XfXbRC08uzM&feature=youtube_gdata_player


Koi din gar
Zindagani aur hai,
 Apne ji mein
hamne thani aur hai....

Barha dekhin hain
un ki ranjishey ,
par kuch ab key
sargirani aur hai......

Deke khat munh
dekhta hai namabar
 kuch to paigam-e-zabani
aur hai.......

Ho chukin "Ghalib"
balayen sab tamam,
 ek marg-e-nagahani
aur hai......

Atish-e-dozakh mein
ye garmi kahan,
 soz-e-gam-e-nihani
aur hai................

=========================

Translation by Kapil
true to the spirit of the Poem

First Couplet :

Koi din gar
Zindagani aur hai,
Apne ji mein
hamne thani aur hai....

Koi : Any

din : Day

gar : if

Zindagani : life

aur hai : available

Apne : my

ji : heart

mein : inside

hamne: myself

thani : conviction

aur hai : another

Literary meaning :

If I have another day
in my life,
Then I have some other
conviction for that day...

Real meaning :

Even after completing  lots of work, wishes,  desires in their life.
Everyone has a number of unfulfilled,  unfinished or pending wishes, 
they want to extract time to finish them. Which they never able to?

--------------------------------

Second Couplet :

Barha dekhin hain
un ki ranjishey ,
par kuch ab key
sargirani aur hai......

Barha : generally

Dekhin : seen

Barha Dekhin hain : generally seen

un ki : their

ranjishey : anguish ; misunderstanding

par kuch ab key : but this time

sargirani : arrogance ; proud

aur hai : differently appeared.

Literary meaning :

We have seen their anguish or misunderstanding a number of times,
But this time
their arrogance is  different .

Real meaning :

Some times,
Lovers fight each other due to one pretext or other, 
after couple of hours every things become normal again.
But this time ,
beloved annoying are of different type, not normal after a long time.

Or

Here the reference is Time,
That each time the mood becomes all right after sometime, 
but this time "sargirani"  mood is not normal even after a long time.

------------------------------

Third Couplet :

Deke khat munh
dekhta hai namabar
kuch to paigam-e-zabani
aur hai....

Deke : after delivery

khat : letter

munh : face

munh dekhta hai : face reading

namabar : messanger

kuch : some,  any

paigam : Message, News, Advice

Zabaani  : orally

paigam-e-zabani aur hai : oral messages / instructions are different from writings  inside.

Literary meaning :

After delivering the latter,
messenger observe the face for
any oral massage for the
beloved.

Real meaning :

In earlier time
(before a proper postal service)
when message were exchanged, generally  by letter carrier by hand.
Then this messengers were extremely confidential person for sender and receivers both,
also conveys the news of "mood" like body language, joy, sorrow etc etc,  the things can not conveyable by writings.
--------------------------------
Fourth Couplet :
Ho chukin "Ghalib"
balayen sab tamam,
ek marg-e-nagahani
aur hai......
Ho chukin : All Executed
"Ghalib" : The Poet Mirja Ghalib
balayen :  Troubles, Calamities
sab tamam : All ended
ek : one
marg  : death
naagahani : untimely, Suddenly, Accidentally
aur hai : pending
Literary meaning :
All the destruction process  for evil forces  exhausted, Adversities all have taken their toll on me,
Only one sudden death is pending. Or Ghalib Only untimely death remains
Real meaning :
The Poet Mirja Ghalib is talking with himself stating that Ghalib all evil removing ritual are exausted (to send back death forces) . 
Only a untimely sudden death is pending.
In India a ritual exist in which Ladies touch both palm on effected person forehead,  ( To collect immeginary evil forces sticked with forehead) and pretending thoroughing  them away from person effected )
=================
Fifth Couplet :
Atish-e-dozakh mein
ye garmi kahan,
soz-e-gam-e-nihani
aur hai................
Atish : fire,  ember
dozakh : Hell
Atish-e-dozakh : fire of hell
mein : inside
ye : this
garmi : heat
Ye garmi kahan : this kind of heat
soz : Burning, Heat, Passion
gam : Grief, Sorrow
nihaan: Hidden, Buried
-e- : (grammar to connect two different words / things)
Soz-e-gam-e-nihani :
heat of inner sorrow :
internal jealousy
Literary meaning :
The fire of hell has no heat
in comparison to internal heat of zealously
Real meaning :
This is the Master Stroke of Mirja Ghalib
In which he has termed a heart filled with jealousy worst then a Hell
-------------------------------
-END-

Shaam-e-gham, kuch us "nigaah-e-naaz" ki, baaten karo

Firaq Gorakhpuri Sahib one of the master piece Ghazal,

Translation By Kapil Jain,  true to the spirit of the Poem
 
=========================
https://www.youtube.com/watch?v=5duHPvbUJNE&feature=youtube_gdata_player

=========================

Shaam-e-gham,
kuch us "nigaah-e-naaz" ki,
baaten karo............
Bekhudi badhti chali hai
raaz ki baaten karo............
"Nakhat-e-zulf-e-pareshaan ",
dastaan-e-shaam-e-gham,
Subah hone tak,
isi andaaz ki baaten karo.......
Ye sukut-e-yaas,
ye dil ki ragon ka tootna,
Khamoshi mein kuch,
shikast-e-saaz ki baaten karo..........
Kuch qafas ki tiliyon se,
Chhan raha hai noor sa,
Kuch faza,
kuch hasrat-e-parvaaz
ki baaten karo.....
=======================
The literally meaning.......
Shaam-e-gham,
kuch us "nigaah-e-naaz" ki
baaten karo.......
Shaam : evening
gham : desperation
Kuch : some
Us : her my beloved
Nigaah : eye's glare
Naaz : pride
Baaten : talk about
An evening of desperation Please talk about "glare of my eyes pride" .......
Bekhudi badhti chali hai
raaz ki baaten karo.......
Bekhudi : Restlessness
Badhti : increasing
Chali hai : continuously
Raaz : secret
Baaten : talk about
Restlessness is increasing, hence talk about
secrets (of my beloved ) .........
"Nakhat-e-zulf-e-pareshaan ",
dastaan-e-shaam-e-gham,
Subah hone tak
isi andaaz ki baaten karo.......
Nakhat : Fragrant
Zulf : Hair
Pareshan : Disarrayed Dastaan : story
shaam : evening
gham : desperation
Subah : morning
Hone tak : till morning 
isi : only this
Andaaz : style
Baaten : talk about
The poet want to shed his desperation, in a lonely evening,, by talking with himself about the fragrant hair of his beloved, that is why, he is requesting the loneliness to continue the talk of his beloved till morning ....
Yeh sukut-e-yaas,
yeh dil ki ragon ka tootna,
Khamoshi mein kuch,
shikast-e-saaz ki baaten karo....
Yeh : this
Sukut : silence
yaas : despair
Yeh : this
Dil : heart
Ragon : nerves
Tootna : breaking
Khamoshi : silence
Main : in
Kuch : some
Shikast : defeat
Saaz : rhythm ...
In This "silence of despair" & ( with breaking of my heart's nerves ) , in this silence talk about defeat of my rhythm......
Kuch qafas ki tiliyon se,
Chhan raha hai noor sa,
Kuch faza,
kuch hasrat-e-parvaaz
ki baaten karo.....
qafas : cage
Tiliyon : cage bar 
Faza : Fiza : atmosphere
Hasrat : desire
parvaaz : flight high altitude
Some light rays filtering through the prison's  window's iron bars ( tiliyon )  , the poet imagination is to fly like a  bird in open air with great height to meet his beloved love.
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The accurate meaning....
The poet is so lonely and desperate in an absolutely silent evening in a prison , missing his beloved so much.
This loneliness is like a cage or a prison for him, to avoid this restlessness, he want to remember his beloved, the beautiful things about her secrets with him , her Fragrant hair.
He further want to tell her, about his heart break in her absence, about the defeat of his rhythm.
Ultimately, he want to liberate himself like the rays of light coming freely from the prison windows ( to get rid of loneliness ) , so that he can fly high to meet his beloved....
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